Lot 418 – Antoine Van Dyck (1599-1641), Portrait de Sir Edward Lyttelton (1589-1645), huile sur toile, XVIIe s., 62×55,5 cm
Antoine Van Dyck (1599-1641), Portrait de Sir Edward Lyttelton (1589-1645) plus tard Lord Littleton of Mounslow, huile sur toile, XVIIe s., 62×55,5 cm
Note: Cette oeuvre a été retenue comme authentique par l’ancien expert référent Monsieur Erik Larsen dans son ouvrage: Anthony Van Dyck, 1988, vol. 1 p. 72-73, no. 25, vol. 2 p. 352, по. 901а (avec une illustration pleine page) « the present painting, showing only the head and the lace collar, which I have carefully examined, is the study from life for the large-scale version. It is plastically treated and certainly autograph. Executed c.1636-38 ». L’attribution à Van Dyck est contestée aujourd’hui, cette œuvre aurait été exécutée d’après un portrait original de l’artiste aujourd’hui disparu, et connu seulement sous la forme de copies, tout comme celle présente à la National Gallery.
Bibliographie: Lionel Cust, Anthony van Dyck: an historical study of his life and works, 1900, p. 278, no. 133, Erik Larsen, The Anthony Van Dyck, 1988, vol. 1 p. 72-73, no. 25, vol. 2 p. 352, по. 901а
Provenance: ancienne collection Raymond Ferrier, Genève (sur plusieurs générations)
Anthony Van Dyck (1599–1641), Portrait of Sir Edward Lyttelton (1589–1645), later Lord Littleton of Mounslow, oil on canvas, 17th century, 62 x 55.5 cm.
Note: This work was recognized as authentic by the former reference expert Mr. Erik Larsen in his publication Anthony Van Dyck, 1988, vol. 1, pp. 72–73, no. 25; vol. 2, p. 352, no. 901a (with a full-page illustration):
« The present painting, showing only the head and the lace collar, which I have carefully examined, is the study from life for the large-scale version. It is plastically treated and certainly autograph. Executed c. 1636–38. »
The attribution of this painting to Anthony Van Dyck is currently disputed; it is believed to have been executed after an original portrait by Van Dyck, now lost and known today only through copies, such as the one held in the National Gallery.
Bibliography:
Lionel Cust, Anthony van Dyck: An Historical Study of His Life and Works, 1900, p. 278, no. 133
Erik Larsen, The Anthony Van Dyck, 1988, vol. 1, pp. 72–73, no. 25; vol. 2, p. 352, no. 901a
Provenance: Geneva, former collection of Raymond Ferrier (held for several generations)
Des scans et images complémentaires sont ajoutés de manière continue, et l’ensemble des illustrations de tous les lots sera disponible d’ici le 1er juin 2026.
Si, après cette date, vous ne trouvez pas les images souhaitées en ligne, nous vous invitons à nous contacter.
Pour toute information complémentaire concernant ce lot, veuillez nous contacter.